JStor is a digital library of academic journals, books and primary sources. To gain access students must create an account. This database is particularly useful for senior students wanting to access academic journals for authoritative content.
These links are to resources produced by HSC teachers and students, not from this College. Please read all material with a critical eye.
My Journey at the Nuclear Brink is a continuation of William J. Perry's efforts to keep the world safe from a nuclear catastrophe. It tells the story of his coming of age in the nuclear era, his role in trying to shape and contain it, and how his thinking has changed about the threat these weapons pose. In a remarkable career, Perry has dealt firsthand with the changing nuclear threat. Decades of experience and special access to top-secret knowledge of strategic nuclear options have given Perry a unique, and chilling, vantage point from which to conclude that nuclear weapons endanger our security rather than securing it. This book traces his thought process as he journeys from the Cuban Missile Crisis, to crafting a defense strategy in the Carter Administration to offset the Soviets' numeric superiority in conventional forces, to presiding over the dismantling of more than 8,000 nuclear weapons in the Clinton Administration, and to his creation in 2007, with George Shultz, Sam Nunn, and Henry Kissinger, of the Nuclear Security Project to articulate their vision of a world free from nuclear weapons and to lay out the urgent steps needed to reduce nuclear dangers.
In The Unbearable Lightness of Being, Milan Kundera tells the story of a young woman in love with a man torn between his love for her and his incorrigible womanizing and one of his mistresses and her humbly faithful lover. This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles to take its place as perhaps the major achievement of one of the world’s truly great writers.
Winner of the 1985 National Book Award, White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultramodern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism.
Jean-Baptiste Clamence, a successful Parisian barrister, has come to recognize the deep-seated hypocrisy of his existence. His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.
This brutal glimpse of Russia under Stalin shocked the world when it first appeared.
Discover the importance of a piece of bread or an extra bowl of soup, the incredible luxury of a book, the ingenious possibilities of a nail, a piece of string or a single match in a time where survival is all. Enter a world of incarceration– and participate in the struggle of men to survive both the terrible rigours of nature and the inhumanity of the system that defines their conditions of life.
On August 6, 1945, Hiroshima was destroyed by the first atom bomb ever dropped on a city. This book, John Hersey's journalistic masterpiece, tells what happened on that day. Told through the memories of survivors, this timeless, powerful and compassionate document has become a classic "that stirs the conscience of humanity" (The New York Times).
Almost four decades after the original publication of this celebrated book, John Hersey went back to Hiroshima in search of the people whose stories he had told. His account of what he discovered about them is now the eloquent and moving final chapter of Hiroshima.
At the heart of Catch-22 resides the incomparable, malingering bombardier, Yossarian, a hero endlessly inventive in his schemes to save his skin from the horrible chances of war.
His problem is Colonel Cathcart, who keeps raising the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempts to excuse himself from the perilous missions that he's committed to flying, he's trapped by the Great Loyalty Oath Crusade, the bureaucratic rule from which the book takes its title: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes the necessary formal request to be relieved of such missions, the very act of making the request proves that he's sane and therefore, ineligible to be relieved.
The Cold War is at its most chill. Alec Leamas, a spent spymaster, leaves West Berlin for London. His informants are either exposed or dead; his operational usefulness is over.
Control, however, believes Leamas has one last job in him. It is daring, highly speculative and very, very dangerous. But for Leamas, the opportunity to revenge himself on those who, one by one, took out his people, is irresistible...
"Nothing happens, nobody comes, nobody goes, it's awful?" Estragon's complaint, uttered in the first act of "Waiting for Godot", is the playwright's sly joke at the expense of his own play - or rather at the expense of those in the audience who expect theatre always to consist of events progressing in an apparently purposeful and logical manner towards a decisive climax. In those terms, "Waiting for Godot" - which has been famously described as a play in which "nothing happens, twice"- scarcely seems recognizable as theatre at all. As the great English critic wrote "Waiting for Godot jettisons everything by which we recognize theatre. It arrives at the custom-house, as it were, with no luggage, no passport, and nothing to declare; yet it gets through, as might a pilgrim from Mars."
